STUDIO NOE BADILLO
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    • Linguistic Period (2022—)
    • Shadow Period (2017—2021)
    • Neoclassical Period (2015–2017)
    • Grey Period (2010–2015)
    • War Period (2003–2009)
    • Van Gogh Period (2002–2003)
    • Early Period (1994–2001)
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Education
​
2021                     PhD History and Theory of Art & Architecture; minor in the History of Asian Art, Arizona State University
2012                     MA History of Art, University of Arizona
2009                    BFA Studio Art, University of Arizona
2004-2005.           Studio Apprenticeship in classical painting, drawing and architecture under the auspices of Osvaldo Romberg

Museum Exhibitions 
2017 Gateway to Imagination, Farmington Museum, Farmington, New Mexico
Cymacia Coronides 1; On the Theory of Shadow Projection (Homage to Kircher)
2017 Exploring Arizona Talent, Udinotti Museum of Figurative Art, Phoenix, Arizona
Allegorical Scene 1; Elizabeth Holding Elliot​ 
2013 Arizona Biennial, The Tucson Museum of Art, Tucson, Arizona 
Agros an do Eiirigh Aon (The Two Become One); A Study for an Altar 
2010 Hybridity: American Unity, The Latino Museum of Art, History and Culture, Los Angeles, California 
Portrait of My Mother 

Solo Exhibitions 
2015 Early Work (1994–1999), Bokeh Gallery, Monorchid, Phoenix, Arizona
2014 Twenty-year Retrospective (1994–2014), Ward 6 Gallery, Tucson, Arizona 
2014 Science and Mysticism, Caffe Luce, Tucson, Arizona
2009 BFA Honors Thesis, Classical Forms and The Structures of Language, Lionel Rombach Gallery, Tucson, Arizona 

International Exhibitions
2022 Biennale Viterbo, Centro Espositivo San Vidal, Venice, Italy
2022 First Virtual Exhibition, Maggio Art Consultancy, London, England (Spatial, online)
2020
–2021 Winter Sale, Maggio Art Consultancy, London, England (Artsy, online)
2020 Winter Exhibition, Maggio Art Consultancy, London, England
2015 Lust for Life, W70, Nuenen Gerwen Nederwetten Eeneind, Nord-Braband, Netherlands
2012 Paris-San Carlos Art Exchange, Hôtel du Nord, Office de Tourisme, Salle de la Guinguette, Avallon, Toutry and Quarre les Tombes, France
2011 Paris-San Carlos Art Exchange, San Carlos Yacht Club, San Carlos, Mexico 2010 Paris-Tucson Art Exchange, Bondy Arts International, Paris, France
2009 Ukrainian Art Week, Central House of Artists of National Artist Union, Kiev, Ukraine
2009 World Mini-Print Exhibition, Lessedra Gallery, Sofia, Bulgaria 

Recent Group Exhibitions 
2018 Contemporary Portrait: A National Juried Exhibition, Louise Hopkins Underwood Center for the Arts, Lubbock, Texas
2015 The Weight of the World: A Contemporary Art Exhibition of Affect and Reason, ASU Institute for Humanities Research, Tempe Arizona
2015 Sustainability Solutions Festival, City of Phoenix, Phoenix Arizona
2015 Unbalance: An International Conference on Water, Climate, and Place, ASU Galleries. Tempe Arizona
2014 Grand Opening Exhibition, Capture 12, Phoenix Arizona 
2014 MLIF, Bokeh Gallery, MonOrchid, Phoenix, Arizona 

Permanent Collections 
The Udinotti Museum of Figurative Art, Paradise Valley, Arizona
Elizabeth Holding Elliot
Center for Latino Arts, University of California, Los Angeles
Portrait of My Mother 
The Central Michigan University Print Club, Central Michigan University, Mount Pleasant, Michigan 
Dulcis Dens 
Most Rev. Gerald F. Kicanas, D.D., Bishop of the Diocese of Tucson, Tucson, Arizona 
Cross (IHS) 
Studio of Nate Berkus, Designer
Untitled​

Publications
2014 “Robert Grosseteste and the Phenomenological Nature of Geometry and Light” in Bishop Robert Grosseteste and Lincoln Cathedral: Tracing Relationships between Medieval Concepts of Order and Built Form, ed. John Hendrix, Nicholas Temple and Christian Frost (Surrey: Ashgate), 119–134
2014 “Architectonic Studies in Language and Geometry” Architecture and Culture 2, 2: 167–174
2012 “Language beyond Metaphor: The Structural Symbolism of Borromini’s Sant’Ivo alla Sapienza” in The Cultural Role of Architecture: Contemporary and Historical Perspectives, ed. Paul Emmons, John Hendrix, Jane Lomholt (London: Routledge Press), 39–46
2012 “Correlativus Geometricum Lucis: The Relation between Geometry and Optical Theory in the Design of Muqarnas Domes,” Zaytoon, 12: 3–15

Conferences and Symposia
2022 "Sub umbra illius quem desideraverum: the Precedence of Shadow in the Work of Giordano Bruno’s De umbris idearum," Annual Conference, International Society of Neoplatonic Studies, Athens, Greece
2014 “Grosseteste’s Cosmogony and Lemaître’s Proposal of the Big Bang,” Robert Grosseteste and the Pursuit of Religious and Scientific Learning in the Middle-Ages, Bishop Grosseteste University, Lincoln, England
2014 “A Polymorphic Deconstruction of the Bishop’s Eye According to the Optical Theory of Robert Grosseteste,” Art: Science, Technology, and Experimentation in Art History and Practice, Council of Graduate Art Historians, Tempe, Arizona
2012 “On the Phenomenological Nature of Geometry and Light,” Symposium on Architecture as Cosmology: Lincoln Cathedral and Bishop Robert Grosseteste. Session II with Dalibor Vesely, Lincoln Cathedral Centre, England
Funded by: The Paul Mellon Foundation and The University of Lincoln
2012 “Correlativus Geometricum Lucis: The Relation Between Geometry and Optical Theory in the Design of Muqarnas Domes,” Twelfth Annual Southwest Graduate Conference in Middle Eastern and North African Studies, The University of Arizona, Tucson, Arizona
2012 “Substance and Essence as a Form of Revelation in the Reredos of San Xavier del Bac,” Panel Discussion: The History of San Xavier Mission, The University of Arizona Museum of Art, Tucson, Arizona
2011 “Forming a Theology of Light: Muqarnas Domes and the Influence of Geometry and Optical Theory,” Saint Albert the Great Science and Theology Forum, Saint Thomas More Catholic Newman Center, Tucson, Arizona
2011 “Evidence of a Heliocentric Cosmology within Guarino Guarini’s Chapel of the Holy Shroud,” The Role and Practice of Artists in Society, California State University, Los Angeles, California
2010 “Ocularium Lucis: Guarino Guarini and the Cosmology of Light” and “Language Beyond Metaphor: The Structural Symbolism of
Borromini’s Sant’Ivo alla Sapienza,” Saint Albert the Great Science and Theology Forum, Saint Thomas More Catholic Newman Center, Tucson, Arizona
2010 “Language Beyond Metaphor: The Structural Symbolism of Borromini's Sant'Ivo alla Sapienza,” and “Henri Le Secq: Strasbourg and
Amiens Cathedral,” Conference on The Cultural Role of Architecture, The University of Lincoln, England

Research Interests
Guarino Guarini
History and Theory of Architecture 
Architecture and Cosmology 

Renaissance and Medieval Treatises
History and Philosophy of Science
Language and Image
Literati Painting


Selected Honors and Distinctions
2022 Award of Recognition, Governing Board, Pima Community College, Tucson, Arizona
2017 Curator's Choice Award, Gateway to Imagination, Farmington Museum, Farmington, New Mexico
2014 James McEvoy Post-Graduate Bursary, Bishop Grosseteste University, Lincoln, England
2014 Honorable Mention, Ford Foundation Pre-doctoral Fellowship, Washington, DC
2012 Gold Medal, Chemin des Arts, Toutry, France
2009 Second Place in Religious Painting, Ukrainian Art Week, Kiev, Ukraine

Academic Positions
2022 Research Fellow, Institute of Philosophy and Technology, Athens, Greece

2021-2022 Adjunct Faculty Member, Pima Community College, Tucson, Arizona

2017 Art History Instructor, Clemente Course in the Humanities, Phoenix, Arizona
Special program for female veterans with PTSD
Partnered with the National Endowment for the Arts and Bard College

2018-2016 Faculty Associate, Arizona State University, Tempe, Arizona
Courses taught (Instructor of record):
Art History: Italian Renaissance Art
Art History: Renaissance to the Present
Courses assisted:
The Portrait
Introduction to Museums


2015 Teaching Associate, Arizona State University, Tempe, Arizona
Courses assisted:
Art of Japan
Art of Asia
Art of the Comic


2013 Adjunct Professor, Pima Community College, Tucson, Arizona Instructor of Record
Courses taught (Instructor of record):
Art and Culture: Prehistoric through Gothic Exploring Art and Visual Studies
Basic Design


2010–2012 Graduate Teaching Assistant, The University of Arizona, Tucson, Arizona 
Courses assisted:
Non-western Art 
Introduction to Art History


Selected Art Publications
2015 Artist Spotlight, Arizona Foothills Magazine, Phoenix, Arizona
2015 Noe Badillo at Bokeh Gallery, The Arts Beacon, Phoenix, Arizona
2015 Artist’s Interview, YabYum Seven Music and Arts, Phoenix, Arizona
2014 Noe Badillo Orgullo Artistica Mexicana, Arizona Bilingual Newspaper, Tucson, Arizona
2012 Paris-San Carlos Art Exchange Exhibition Catalogue, Burgundy, France
Portrait of Elizabeth, page 9; Lead Crystal Pitcher, page 8
2011 Paris-San Carlos Art Exchange Exhibition Catalogue, San Carlos, Mexico
2010 32e Salon D’Automne, Bondy Arts International, Paris, France
2009 New Faces in Art, International Catalogue, Kiev, Ukraine Untitled (Pietà), page 22
2009 8th Lessedra World Art Print Annual, Mini Print, Sofia, Bulgaria Untitled, page 45

Gallery Representation

2020–2022 Maggio Art Consultancy, London, England

​Selected Fellowships and Grants
2021 Adjunct Faculty Enrichment Award, Pima Community College, Tucson, Arizona
2021 Financial Enrichment Award, Arizona State University, Tempe, Arizona
2020 Emergency Grant, Adolph and Esther Gottlieb Foundation, New York, New York
​2020 Artist Relief Grant, Americans for the Arts, Washington, DC

2020 Adolph and Esther Gottlieb Foundation, Emergency Grant, New York, NY
2020 Artist Relief Grant, Americans for the Arts, Washington, DC
2014–2015 Doctoral Enrichment Fellowship, Arizona State University, Tempe, Arizona


Selected Scholarships and Awards
2017 Curator’s Choice Award, Farmington Museum, Farmington, New Mexico
2015 Graduate Scholarship, Hispanic Scholarship Fund, San Francisco, California
2012 Gold Medal, Chemin des Arts, Toutry, France
2011 Medici Scholar Award, College of Fine Arts, The University of Arizona, Tucson, Arizona 2011 Alpha Kappa Alpha, Educational Advancement Scholarship, Chicago, Illinois
2011 José Canchola Scholarship, Hispanic Scholarship Fund, San Francisco, California ASUA 2011 Enrichment Scholarship, The University of Arizona, Tucson, Arizona
2010 Haldeman Scholarship, College of Fine Arts, The University of Arizona, Tucson, Arizona 2010 Graduate Tuition Scholarship, College of Fine Arts, The University of Arizona, Tucson, 2009 Arizona Artist of Color Grant, Tucson Pima Arts Council, Tucson, Arizona
2009 Small Grant, College of Fine Arts, The University of Arizona, Tucson, Arizona
2009 The Irene and Edgar Romo Scholarship, The Newman Foundation, Tucson, Arizona


Selected Honors and Distinctions
2014 James McEvoy Post-Graduate Bursary, Bishop Grosseteste University, Lincoln, England 2014 Honorable Mention, Ford Foundation Pre-Doctoral Fellowship, Washington, DC
2009 Second Place in Religious Painting, Ukrainian Art Week, Kiev, Ukraine


Selected Professional Experience
2011–2012 Board Member, National Advisory Council, The University of Arizona Museum of Art, Tucson, Arizona
2010 Curatorial Intern, Tucson Museum of Art, Tucson, Arizona
2010 Painter and Renovator, Saint Augustine's Cathedral, Tucson, Arizona
2009 President, University of Arizona Art History Club, Tucson, Arizona
2008 Curatorial Intern, Tucson Museum of Art, Tucson, Arizona


Languages
In Translation: 
Italian 
Latin 
Spanish 
French 
German

In Conversation: 
English
​Italian 


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  • Home
  • Collect
    • Artsy
    • 1st Dibs
    • Saatchi Art
    • Søciety6
  • Chronology
    • Linguistic Period (2022—)
    • Shadow Period (2017—2021)
    • Neoclassical Period (2015–2017)
    • Grey Period (2010–2015)
    • War Period (2003–2009)
    • Van Gogh Period (2002–2003)
    • Early Period (1994–2001)
  • Publications
  • Italian Tours
  • Contact
    • Curriculum Vitae
    • Interview
    • Links